Rainer Hersch heads to Birmingham and Manchester in December to host a brand new Yuletide treat: a jamboree of classic UK Singles-Chart Christmas No.1s.
Clap your hands, stamp your feet and laugh along as comedian Rainer Hersch hosts this hilarious comic entertainment all served up with award-winning singers Kerrie Anne Greenland and Graham Foote and a Christmas cracker of an Orkestra.
As seen on BBC1s The One Show
Christmas just wouldn’t be Christmas without the opportunity to enjoy all those wonderful Pop No 1 favourites – and that’s just what’s on offer here with a chance to relive your misspent youth as you singalong to some of your absolute favourite Christmas No 1 Pop Hits.
How can we ever forget I wish it could be Christmas Everyday, Merry Christmas Everybody, White Christmas – and of course Rudolph the Red-Nosed Reindeer!
And all this combined with Rainer’s unique musical twist as he deconstructs some of your best loved tracks to reveal some of their hidden lyrics. Just watch this for a taster…
Here are the musical favourites included in this magical evening of Christmas fun:
• Bohemian Rhapsody
• Do They Know It’s Christmas?
• Have Yourself A Merry Little Christmas
• Merry Xmas Everybody
• Mistletoe And Wine
• Mull Of Kintyre
• The Ultimate Christmas No.1
• Wherever You Are
• White Christmas
• Bob The Builder
• Don’t You Want Me?
• He Ain’t Heavy, He’s My Brother
• I Want To Hold Your Hand
• I Will Always Love You
• Something Stupid
Oh and don’t forget Jingle Bells!
Lower Mosley Street, Manchester M2 3WS
Monday 18 December 2017
Tickets: £35 – £17
I know it’s only September, but I’m afraid I have to mention the ‘C’ word as there are only 99 days to go until Christmas! Yes it’s true – but I have some fantastic Christmas No 1 Pop Singalong! concerts for you with the Rainer Hersch Orchestra coming up in Manchester and Birmingham.
The obsession with Christmas chart number ones is a peculiarly British phenomenon. Nowhere on the planet is yuletide supremacy so fiercely contested.
Over the years, the battle has thrown up some brilliant baubles and terrible turkeys. Who, for example, can forget Bohemian Rhapsody (1975); who can remember Mr Blobby (1993)? Some, like Slade’s Merry Xmas Everybody (1973), have become the very sound of the holidays (note: ‘Xmas’ by the way, not ‘Christmas’ – Slade’s habit of abbreviating their titles – Coz I Luv You – infuriated schoolteachers, little realizing that Slade had merely invented texting twenty years ahead of their time).
What is almost as remarkable is the number of tracks left by the wayside: I Wish It Could Be Christmas Everyday by Wizzard actually only ever got to number four. Maybe what made us all blink was the horrible realisation what Christmas everyday might in fact be like: all the shops shut, a permanent state of turkey leftovers and your grandma forever in the front room, farting into the sofa.
Christmas No 1 Singalong with the Rainer Hersch Orkestra
Anomalies like that are what attract the comedian in me to the fray. As a classical musician I am drawn by the sheer musical variety – everything from the folk sound of Mull of Kintyre (1977) to the truly operatic ambitions of Queen.
Many of the great No.1’s seem to come from a golden age when rock musicians thought orchestrally and wrote accordingly. It was the era of Prog Rock when what was essentially a piece of light classical music – the theme tune to Van Der Valk – could top the singles chart and no-one batted an eyelid. The multiplicity has even inspired me to create my own, ultimate Christmas hit: everything you need in a single to get to No.1 at Christmas. Yes, really. It’s in the can and I am going to release it at the end of October, complete with video. You heard it here first folks.
Christmas No 1 Singalong
with the Rainer Hersch Orkestra
Do they know it’s Christmas? After that, I ruddy well hope so – even if most of the them that Band Aid were imperially referring to only really celebrate Eid and wouldn’t know Bob Geldof from Rudlolph, the Red-Nosed Reindeer.
https://i1.wp.com/www.rainerhersch.com/wp-content/uploads/sites/13/2017/09/RH-Christmmas-Pop-Singalong-Image.jpg?fit=1500%2C8528521500adminhttp://revolutionarts.co.uk/rainerhersch/wp-content/uploads/sites/13/2016/09/rainer.pngadmin2017-09-17 15:30:492017-09-17 15:30:49Dare I say the 'C' word?
What do you know about Augsburg? Well, it’s in Swabia…WASS!?…the South of Germany but it isn’t Munich. Augsburg is a pretty town noted as the birthplace of Mozart’s Pa, Leopold…and Bertold Brecht…and being in Bavaria. All good lederhosen-wearing, stein-drinking, thigh-slapping stuff then. But none of these are the reasons why Rainer Hersch is heading there…
Parktheater im Kurhaus Göggingen
Rainer’s very own Orkestra of madcap virtuosi will take to the stage with Classic Greats: Comedy Gold on 6 September at the enchanting Parktheater im Kurhaus Göggingen. And in Rainer’s own words:
Somebody German once described England as ‘Das Land Ohne Musik’: The land with out music. Bloody cheek. Had they never heard of Andrew Lloyd Webber’s ‘Starlight Express’ or ‘Your Beautiful’ by James Blunt? (Actually, probably, yes – as I write this, sitting in a cafe in Berlin, Starlight Express is alive and well at a theatre, Bochum and for all I know James Blunt is in it). But that won’t stop me and my Orchestra dropping-in on any Teutonic ‘Theater’ that pleases to teach them a thing or two. Oh yes, they might have Bach, Beethoven and Brahms alright but have they ever heard the Flight of the Bumblebee backwards on a violin, on one string with the violin held upside down? No, thought not. (Come to think of it, neither have we. Note to self: must try to build that in somehow).
So it is that we have gigs planned for Berlin, Freiburg, Munich and, first stop, the beautiful Park Theater Augsburg. Now that is a real gem: built 1886 – it’s all colonnades and colored glass so even if the burghers of Augsburg hate the show, they can still stare up at ceiling and admire the ironwork. During the quiet bits, they might turn to their Neighbour and wonder if it is Musik that we are doing, these English people. Ja really? Musik from the Land Ohne Musik? Yes, Musik und Comedy in the Land Ohne Komedie. Well, they started it.
With games, stand-up comedy and Rainer’s reworking of classics from Tchaikovsky to Titanic, this is guaranteed to produce an unforgettable evening of laughter and superb music.
So if you fancy making a special trip to the south of Germany to see this brilliant comedian and genius conductor Rainer Hersch take to the stage in this unique venue, book your tickets now directly from the venue.
Join the Rainer Hersch Orkestra and no less that three top comedians at Petworth Festival’s headline open air comedy event with ‘Comedy in The Stables’ on Friday 21 July.
Not only is Rainer Hersch a brilliant comedian but he is also a genius musician. With his very own Orkestra of madcap virtuosi, he brings games, stand- up comedy and Rainer’s unique reworking of classics from Tchaikovsky to Titanic. All this delivers a genuinely unforgettable evening of laughter and superb music.
One of the top comedians sharing the bill with Rainer is Hal Cruttenden. As well as being a highly accomplished writer and actor’s performed on The John Bishop Show (BBC1) and Live at the Apollo (BBC1 and 2), The Melbourne Comedy Festival Gala on Channel 10 Australia as well as making a second appearance on Have I Got News For You (BBC1). He has also frequently been seen on Great British Bake Off â€“ Extra Slice (BBC2). ‘One of the funniest comics on the circuit’ (Time Out)
‘You’ll never see another show quite like this’ (Edinburgh Evening News)
Opening the evening are warm up sets from Kieran Hodgson – whose show ‘Maestro’ hit the headlines at Edinburgh Fringe 2016 ‘This could well be THE show of the Fringe.’ ***** (The Telegraph); and English Actor, Writer and Stand-up Comedian Toby Hadoke, Chortle Award Winner and BBC Audio Awards Finalist Toby is well known for his work on BBC Radio and on the Manchester comedy circuit, ‘Superior stand-up skills – very, very funny’ (The Guardian)
Fabulous hot food will be provided by Badgers of Coultershaw and hot drinks by the Vintage Coffee Company – and of course there’s a bar as well.
Comedy in the Stables with the Rainer Hersch Orkestra Friday 21 July at 6pm
Petworth House Stables, 151 Whites Green Lodge, Petworth, GU28 9BD
Tickets: £26 (18 and under: £5)
https://i1.wp.com/www.rainerhersch.com/wp-content/uploads/sites/13/2017/06/Rainer-Hersch.jpg?fit=2048%2C136313632048adminhttp://revolutionarts.co.uk/rainerhersch/wp-content/uploads/sites/13/2016/09/rainer.pngadmin2017-06-24 01:14:042017-06-24 01:17:03See Rainer Hersch at Petworth Festival
The UK is alive with festivals. Festivals of performing arts, literature, visual arts and outdoor arts snd even science. These range from the the large international cultural events, such as the Edinburgh International Festival through to small dynamic festivals in towns and villages across the land.
Rainer Hersch is no stranger to performing at festivals of all shapes and sizes. Here he tells us about some of him more unusual encounters…
A percussionist friend of mine told me about a performance he did of Tchaikovsky 1812 overture in a ‘muddy field’ (musicians-speak for any outdoor festival stage). Wanting to create a bit of atmosphere, he suspended the bells for the final bit from some trees. Off they went for dinner but, when they came back for the performance, darkness had fallen. Despite much searching they couldn’t even find the bells let alone play them!
Summer Festivals just used to be a way of filling musicians’ diaries when the concert season, September to June, was closed. Now some people just do festivals and avoid everything else.
I’ve done Edinburgh Festival 13 times. It seems like a very inauspicious number at which to stop. Should have been 12 or 14 or something. I almost went back up there with the Orkestra this year just to restore my karma.
I have twice done a festival in Barbados and once in the Cayman Islands. People always ask if my wife comes with me when I am performing. Hardly ever. The only times I can remember are: twice in Barbados and once in the Cayman Islands. Strange that…!
About 25 years ago, I was involved in a summer tour in which we performed with orchestra in cathedrals. Nice spectacle but terrible to listen to, cathedrals being so echoey. Actually, I am pretty sure some of those concerts are still going on – bouncing around the belfry or something.
Rainer’s next Festival performance with be at the Petworth Festival on 21 July with the Rainer Hersch Orkestra of madcap virtuosi. With games, stand- up comedy and Rainer’s reworking of classics from Tchaikovsky to Titanic, they genuinely deliver an unforgettable evening of laughter and superb music.
‘You’ll never see another show quite like this’ Edinburgh Evening News
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If you think this title is a contradiction in terms, Rainer Hersch begs to differ so read on…
Contrary to comic lore (and a good few of my gags) the Germans have actually got a sense of humour. In fact, the biggest gigs I have ever done have been in Germany. And it’s not the slapstick ‘man-gets-hit-in-the-face-with-a-fish’ comedy of legend either – Germans prefer philosophers to farce.
On stage in front of 7,000 at the Max-Schmeling-Halle, Berlin
So, where did their notoriety as ‘the land without laughter’ come from? Frankly, I think it is probably just part of our caricaturing following [ahem] one or two episodes in recent history. Those blond-haired, blue-eyed members of the Hitler Youth are smiling alright but it’s not at knock, knock jokes.
Then there is ‘Dinner For One’ – loved and lauded by German-speaking audiences wherever they may be found and now the most repeated TV programme EVER, ANYWHERE. You don’t know about ‘Dinner For One’? Not surprising, because, although it is performed in English, it is almost unknown amongst English speakers.
Do you know Hitler’s favourite knock, knock joke by the way? “Knock, knock” “Who’s there?” “I WILL ASK THE QUESTIONS!”
‘Dinner For One’ is an 11-minute TV sketch, filmed in black and white in which an elderly lady celebrates her 90th birthday aided by her butler. Unfortunately, with the passing of the years, all the lady’s guests have died off leaving the butler to impersonate them, toasting her one by one and gradually getting more and more pissed. You can watch it here:
Yes, it’s in English alright and the actors involved made absolutely no concession to their foreign audience – the butler, for example, speaks with a gruff northern accent. Accordingly I am pretty sure that the German audiences that guffaw over it every New Years Eve (that’s the tradition) don’t fully understand the text. What they do understand however is a sloshed character continually tripping over the head of a tiger skin, stretched out on the floor and the sketch’s catchphrase “same procedure as last year” “same procedure as every year”. (Note that ‘procedure’ has a German equivalent ‘Prozedur’, which is why this moderately complicated bit of vocabulary is understood at all).
Maybe it’s the comic skill that does it for them and there is plenty of that on offer in most German entertainment. Skill of any kind is definitely appreciated. And they know their music. Perhaps that’s why a guy who turns up conducting an orchestra, playing the piano and (I hope) being witty about it ticks the boxes. Oh, and it also helps to speak the lingo, which I do (German Dad, German Missis).
With Berthold Brecht in Berlin. He’s the one looking slightly more natural.
So don’t believe the rumours, comedy is alive and well in Germany. And, so they say, their are quite a lot of Italians pay their taxes, at least a handful of Dutch people who can’t stand clogs and three Russians who aren’t in the Mafia. Now that does sound like the start of a joke…
Chance meeting with German comedy star Otto Waalkes. Blurry old photo in a restaurant. Afterwards I tweeted that I had just met Loriot, who is someone quite different.
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Just a few days to go before Rainer Hersch’s grand Finale to 2016 with his New Year’s Eve Bash. It’s going to be one of the hottest tickets around promising a great night out for families, couples and individuals of all ages and musical interests.
What better way to welcome in 2017 than with this fabulous orchestra, some really great music, hilarious goings on with Rainer Hersch himself – plus his special guest, comedian John Hegley. All wrapped up a wonderful end-of-year extravaganza in a stunning central London venue.
Rainer Hersch will be in charge of the BBC Concert Orchestra in a special edition of BBC Radio 2’s Friday Night is Music Night in support of Comic Relief. The concert will be recorded for later transmission – tickets available soon!
Featuring Rainer’s usual antics of games, tricks and jokes for conductor, orchestra and audience, until you see what happens when Rainer Hersch conducts the CBSO, you’ve no idea what really goes on inside the music of Rossini, Mozart, Verdi and Strauss.
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Rainer Hersch’s own nine-piece ‘Orkestra’ will soon be taking to the London stage for his New Year’s Eve Bash. Rainer is not only a brilliant musical comedian but also a genius composer, arranger and conductor taking some of the great works of classical music and connecting and corrupting them into something utterly hilarious.
We find out more about this band of madcap virtuosi – who they are, what they do and why do they spell it like that!
Why did you need to create your own orchestra?
I have been lucky enough to conduct some of the great orchestras of the world in some of the most famous venues. That includes doing a comedy set with the Petersburg Philharmonic in the Grand Philharmonic Hall in St Petersburg, for example. This magnificent building is where historic performances have been given and for me it was regarded as being rather like doing a stand-up set in the Vatican.
Grand Philharmonic Hall
Such opportunities are truly wonderful and enormously exciting but each time is also like climbing the mountain all over again. You get up on the podium for the first rehearsal in front of 80 people, a team of colleagues who don’t know you, and begin the process of getting the show together from scratch. Musicians like that are fabulous, enjoy it and are quick learners but there is no getting away from the fact that it is still a mountain.
So what is so special about having your own ‘Rainer Hersch Orkestra’?
What is nice about having the Orkestra is that I start the rehearsals already at the summit, so to speak. They know what to expect and it makes the process is a lot easier. Instead of putting on the crampons and advancing from Base Camp, we can use the rehearsal to build bigger mountains.
The line-up is strings plus one clarinet, one French horn, a percussionist and pianist. The number of strings can go up and down though. A lot of times, it is just one of each: first violin, second violin, viola, cello and bass. For our special show at Cadogan Hall there are going to be four first violins and two of everything else, so it is all a lot grander.
But what about the music?
Titanic to Tchaikovsky
Everything from Titanic to Tchaikovsky. The core of our stuff is well-known (and I mean really well-known) classical music but if that’s not your thing DON’T PANIC! This is going to a comedy gig with all sorts in it that everyone gets. You’ll recognise some famous TV themes, film music and there is even some singalong with a hilarious original song from our guest, musician and poet, John Hegley.
And why do you spell it ‘Orkestra’?
Well, if I called it ‘orchestra’ you wouldn’t think it was anything special. You might even come along thinking that you were going to hear some Mozart or whatever, straight. The Rainer Hersch Orkestra is the antidote to that classical thing of sitting quietly and letting it all just happen to you. It’s loud its, fast and it coming to a venue near you.
Share your evening with The Rainer Hersch Orkestra at the fabulous New Year’s Eve Bash at London’s Cadogan Hall on 31 December – the perfect New Year’s Eve family treat.
Filmed entirely in central London and featuring actual footage shot on the London Underground, Rainer Hersch’s new Apple® Ringtones Rag Video is a real cracker!
Gloucester Road tube station: We were pretty sure we were going to be arrested by the London Transport Police here but nothing.
Rainer has taken all those all-too-familiar and ever-so-slightly annoying ringtones, alerts, keyboard clicks and vibrations associated with Apple® devices and created an extraordinarily funny and musically coherent piece in a ragtime style. Brilliantly edited, it features scenes shot on the platform and on the London Tube as well as outdoors against the backdrop of some of London’s famous scenes.
The line up consists of players from the Rainer Hersch Orkestra with Rainer playing xylophone accompanied by clarinet, horn, two violins, viola, cello and percussion.
On the Piccadilly Line: Yes, there was a passenger sitting just out of shot on the left. She got off at the next stop. Strange that.
Rainer explains more about the making of the video…
“This is the first clip I have ever done specifically for YouTube. I wrote the piece last year with a friend as the sequel to my Windows™ Waltz, also on YouTube, which almost 5 million people have watched so far.
My first idea was to film the entire piece on the street outside the Apple Store in Covent Garden, London. But, from the outside, that Store doesn’t look like anything – there is no signage or big apple logo hanging. So then I did a reconnaissance of the Apple Store on Regents Street with the idea that we all stand on the central reservation in the middle of the road. But that store is shut for renovations – doh! (In the end I just used that location for the final, final scene after the credits where I am playing the xylophone alone). With those ideas gone, the obvious thing was to just record ourselves performing it with London’s world-famous sights as a backdrop.
The only place where we got into trouble was the shot where you can see Tower Bridge in the background. A beefeater came out of the Tower of London (I kid you not) to say that the whole of the river front is owned by the Queen and, since we didn’t have permission (from her? I didn’t find out), we would have to stop. He was very nice about it and, since we had already played the piece twice through already, we didn’t mind but cleared off pronto in case his mood changed and he put us into a cell at Her Majesty’s pleasure, or worse.
Anyway the clip was a lot of fun to make and I hope it gives people a lot of pleasure. I also have a bet with my Nephew for a hundred quid that it will get to 10 million views in three years. He says it won’t but he’s only a kid (er…23) so what does he know? But, just in case, do me a favour and watch it a few times because my mouse finger is starting to get sore from all the clicking.”
On Westminster Bridge: Most of the tourists on that double-decker tour bus thought they were going to get a shot of Big Ben – but they got a shot of us instead.
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Fresh from his whirlwind trip to Portland Oregon, Rainer Hersch is now back in the UK preparing to launch his brand new ‘Orkestra’ at hisNew Year’s Eve Bash. We caught up with Rainer to find out more about his American Adventure…
So tell us a bit more about this amazing venue you were performing in?
I performed at Nordic Northwest – a brand new and very impressive facility built by the Scandinavian Heritage Foundation, which is supported by the many people in Oregon who have roots in Denmark, Sweden, Norway, Iceland or Finland.
And what did you perform there?
I gave two performances of my solo, two act comedy Rainer Hersch’s Victor Borge, which is a narrated story about the legendary Danish/American pianist and comedian – mostly funny but sometimes very poignant as well.I am the narrator and play both Borge and myself.You can read more about the great Victor Borge here.
What was the reaction like in Portland?
Very good indeed.When they see the title of this show, people aren’t always sure what to expect – often they think it is going to be some guy just doing Borge’s act.But, ultimately, this show explores my relationship to Borge.It is funny – stand-up funny – all the way through but it is also very personal.As well as Borge, there is a lot of me in it – and I seem to have got away with it!
The Americans have a fond affection for Borge. He arrived there during WW2, worked with the likes of Bing Crosby and Franck Sinatra and had his own hugely successful TV and Radio shows. I have done my show hundreds of times now since I wrote it for Edinburgh in 2004 and, I am happy to say, the reaction is always the same.
So what else did you get up to?
I cycled around a lot on a hired bicycle in between the rain. It rains a hell of a lot in Portland. I think the sun came out only once. And, when it does, people walk along the Willamette river which is beautiful – near the cannabis factory!
There is also the only inner city cable car I have ever been on. It runs from the hospital to the hospital car park because there wasn’t enough space to build both side by side. Bit of a bummer if you happen to be visiting as a result of a skiing accident but the view from the top is bloody marvellous.
And did you learn anything else about the States?
I visited Voodoo Doughnut, a much-loved stop on the Portland tourist trail, and munched my way through enough calories to feed a village. And, of course, I was there over Halloween, which the Americans do with flare and passion. Everybody is in fancy dress, from bank clerks to bar staff. I thought of going as Victor Borge but thought maybe it wouldn’t have been quite his style.
Don’t miss your chance to catch The Rainer Hersch Orkestra and The New Year’s Eve Bash at London’s Cadogan Hall on 31 December – the perfect New Year’s Eve event for all the family.
“Whether you are a professor of harmony or couldn’t tell a string quartet from a string vest, this is ‘the funniest concert you’ll ever see” Time Out
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